Drought, pollution by industries called “sacrifice zones”, and massive waste are the biggest conflicts related to freshwater on the Chilean territory during the last decades. An analogy between women and territory shows how, through the water conflict, capitalist/extractivist models result in inequalities and injustices.

Without a Scratch is an experimental short documentary that takes the viewer on the journey of the queer filmmaker’s experience with a pituitary tumor, exploring the interconnectedness and complexity of healing, memory and love.

The pirate ship that was San Francisco in 1980 is gone. Everyone is dead. The party's over. The guitars are silent. The lights are out, the curtains closed. I'm the only one left to tell the tale, which could make me the heroine, but I wasn't. I'm not. In the beginning there were people everywhere, but in the end it was just me. Resoundingly, deafeningly, silently, alone. Life became so quiet that the hiss of blood being sucked into a syringe roared like Niagara Falls.

El barco pirata que era San Francisco en 1980 ya no está. Todo el mundo está muerto. Se acabó la fiesta. Las guitarras callan. Las luces están apagadas, las cortinas cerradas. Soy el único que queda para contar la historia, lo que podría convertirme en la heroína, pero no lo era. No soy. Al principio había gente por todas partes, pero al final era solo yo. Resonante, ensordecedor, silencioso, solo. La vida se volvió tan tranquila que el siseo de la sangre al ser succionada por una jeringa rugió como las cataratas del Niágara.